Abstract:
This thesis is based on a qualitative study with the objective of contributing to
the native musical culture of Ayacucho based on arrangements to the piano repertoire
of Ayacucho music.
It presents a qualitative approach to the research, which was carried out based
on the critical contributions of eight specialists in the thematic of composition and
musical arrangements, which contributions were important to develop all this
research, contributing to the correction and profiling.
The result obtained from this research was to make known a little more about
the Ayacucho music but now arranged for the piano instrument, it is worth mentioning
the contributions that are; Orphan little bird, Goodbye I can of Ayacucho, Helme and
Black Soul.
The results of the research show that the arrangements of Ayacucho music for
piano have a great variety of styles and techniques, and that they have been
influenced by classical music and other forms of Peruvian popular music.
Furthermore, it is observed that these arrangements have allowed a wider diffusion
of Ayacucho music outside its region of origin.
We emphasize that Ayacucho music is well known worldwide, and through its
music expresses many feelings such as melancholy, joy, love and others, which are
themes of the country, contributing in addition to the realization of arrangements to
the cultural identity of native Peru often forgotten.